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This article is about the character. For the franchise as a whole, see Popeye franchise. For other meanings, see Popeye (disambiguation).

Popeye is a sailor character and protagonist appearing in comics and animated cartoons, known for his squinting (or entirely missing) right eye, huge forearms, skinny upper arms, and corncob pipe. He can occasionally be seen smoking his pipe but usually he toots it like a tugboat and sometimes uses it as a weapon by blowing the smoke in his enemies faces. His strength varies among his portrayals: as per the original comics, he is superhumanly strong and can lift huge objects, while in later adaptations he is not quite as mighty until he gains a boost in strength by eating spinach. He is known to mutter when he speaks and mangle the English language (e.g, he calls elephants and infants "elephinks" and "infinks", respectively). Popeye's creator, E. C. Segar, characterized him as violent and uncivilized yet introspective and with a high moral fiber.

In World War II-era animated shorts, Popeye was a member of the U. S. Navy and could occasionally be seen fighting the Germans and Japanese. The ones in which he did have sometimes been banned from television for being politically incorrect.  Popeye's portrayal in the animated adaptation has been either criticized for giving him a 'substance dependency' as a means to solve all of life's problems, or praised for bringing children to eat healthy food.

Character history

Popeye was created in 1929 by E. C. Segar in his comic strip Thimble Theatre (inspired by a local man, Frank "Rocky" Fiegel) and his huge popularity led him to be adapted into animation. In the various cartoons he would usually have to rescue his girlfriend Olive Oyl from Bluto/Brutus, his rival and sometimes friend. Some of the cartoons take a different approach, like him rescuing Olive from another threat, dealing with something alone, fighting a small enemy he cannot beat, or watching over his adopted son Swee'Pea.
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During the WWII years, Popeye changed into a white Navy suit, continuing to look like this in animation from the 1940s through to the 1960s. Also, in 1940s shorts, Popeye gained four nephews named Pipeye, Peepeye, Poopeye and Pupeye, whose exact relation to Popeye remains unclear. In the fifties, Popeye's cartoon catalog was sold by the Paramount studio to the a.a.p., National Telefilm Associates, U.M.&M. TV Corp., and Harvey Films companies to be broadcast on television. Animated shows were also made for television in the 1960s, 1970s and 1980s, and in 1980 a theatrical movie called Popeye was released and went on to gross $49,823,037; more than double the film's production budget. A more recent television movie called Popeye's Voyage: The Quest for Pappy was made in 2004, produced by Mainframe Entertainment for Lions Gate Entertainment and King Features Entertainment.

Urban legend

Popeye and betty urban legend sex tape was it true or false they seemed to appear together alot
Rumor has it that in September 1938 head of Fleischer Studios Max Fleischer, as a thank-you to all artists who moved to his new animation studio in Florida, animated a graphic sexual encounter between his two stars, Betty Boop and Popeye. Reports on this supposed film, known as “Welcome to Miami,” range from it being 30 seconds of pencil drawings to a full-color short film.

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